You’re asking me to pick just 10?
I’ve basically binged on theatre this year, totting up over 50 different shows, some with multiple visits. Thank goodness reviewing has permitted me to see a few shows for free (Thank you to Bargain Theatre and #LDNTheatreBloggers for letting me see shows with you/on your behalf and lessening the impact on my bank balance). The vast majority of what I’ve seen this year has been of a really high standard, which has made it hard to choose. I should point out that the ranking on the first few is purely arbitrary – they’ve made it into my top 10 ahead of 3 or 4 other shows that I really really liked.
10. 1984 – Playhouse Theatre
Oh God, this was harrowing. I can’t say it was an enjoyable play to watch, but as a piece of theatre, it was incredible. Every bit as visceral, unnerving and horrifying as I expected it to be. For theatre that moves you to feel something, it doesn’t get much better than this.
9. Ring – Battersea Arts Centre
This was probably the best piece of audio theatre that I’ve experienced this year. This show proves just how heightened your sense of hearing becomes when you’re sitting in complete darkness (and I really do mean complete darkness). It plays tricks with your mind and your perception of the space around you. Definitely worth “seeing” again.
8. Forbidden Broadway – Vaudeville Theatre
Just the right balance between jazz hands and acerbic wit, Forbidden Broadway packs in showtune after showtune, each with new lyrics. If you’d seen the shows in question, it was hilarious – even if you hadn’t, the humour was well pitched for the uninitiated.
7. Good People – Noel Coward Theatre
From the very beginning, Imelda Staunton gave one of the greatest performances on the West End stage. She machine-gunned through her desperate pleas to her boss, barely stopping to draw breath. She was fragile, unlikeable at times, yet funny and sweet. A very complex character, with faults and foibles.
6. The Knight of the Burning Pestle – Sam Wanamaker Playhouse
Pure Jacobean silliness and my first visit to the breathtakingly beautiful candlelit Sam Wanamaker Playhouse at Shakespeare’s Globe. This was a well observed satire about badly behaved audiences, with a good dose of slapstick thrown in. A play outside of a play filled with mirth and mayhem.
5. The Nether – Royal Court
Probably one of the best “this could really happen” plays I’ve seen in recent years. The uncomfortable dilemma of how to deal with paedophiles, brilliantly written and cleverly staged (another incredible set by Es Devlin) – yet it never told you what to think or how to feel. I was stunned into silence for 5 minutes after. A real thinking play.
4. Titus Andronicus – Shakespeare’s Globe
Gloriously gory and wickedly funny, I first saw Lucy Bailey’s production of Titus Andronicus 8 years ago and was thrilled at the prospect of a revival. It didn’t disappoint – the ever accelerating cycle of revenge and politics played out in a mêlée of tit-for-tat violence and careful manoeuvres, all the while, making us laugh at some pretty chilling stuff.
3. The Play That Goes Wrong – Duchess Theatre
A sheer comic delight – everything that could go wrong, did go wrong. Things fell to pieces, stuff went missing, people couldn’t get on (or off) the stage… but meanwhile, the cast did everything they could to downplay – and adapt to – the chaos unfolding around them, and valiantly carried on with the show. A fresh take on the old art of coarse acting.
2. Let The Right One In – Apollo Theatre
This was more than just another teen vampire love story – the staging was exceptional. As a portrayal of the horror genre, they made good use of suspense – there was a tortuous wait for the impending ‘jump’. There was a real elegance to the scene changes, making the whole thing completely seamless.
1. The Drowned Man: A Hollywood Fable by Punchdrunk
Could it really be anything else? The show that changed my life and redefined everything I know about theatre? From the multi-layered stories to the performance logistics of 32 actors each having to be in the right place at the right time. From the meticulous detail in the set to the glorious choreography, to the sheer inter-connectedness of everything, I take my hat off to everyone involved. I still miss this show, but I’m just thankful that I had the chance to go as many times as I did.
Possibly the best Christmas present I could ask for (short of them reopening Temple Studios), they’ve released footage of the final finale. I am in that crowd somewhere, on the verge of tears.
Here’s to another year of fantastic theatre!